“A memory of exploring an empty soon-to-be-renovated house.” — I would like you to set a story in your primal landscape – meaning, the place in which you were raised. All primal landscapes are interesting to the writer who lived there because the landscape is part of who he or she is.
“What would you do if your world goes silent?” — We want to smell, hear, and see your setting. We also want to hear it written about with credibility. So you’ll have to do a little research – both functional and imaginative – in order to write this one convincingly. As soon as you place a character in a setting, you have a situation – a story. That character must interact – live or die – in that place and time.
“I want to play tennis again!” — I would like you to write about a HABITUAL RITUAL in second person. Using the “you” voice, describe a holiday, ritual, or routine in specific and significant detail. Let the details accumulate. Let them be funny, sad, and honest.
“Sometimes you just have to say it in the moment.” — I would like you to write what I call a slow motion moment. Write 300-700 words describing an action that takes ten seconds of real time. You are describing only the concrete, material details of the event.